kṣīṇa-vṛtter abhijātasyeva maṇer grahītṛ-grahaṇa-grāhyeṣu tat-stha-tad-añjanatā samāpattiḥ ||41|| Analysis ▾ Analysis ▴
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kṣīṇa
|
dwindled | |
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vṛtteḥ
|
whose fluctuations | |
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abhijātasya
|
clear | |
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iva
|
like | |
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maṇeḥ
|
crystal, jewel | |
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grahītṛ
|
grasper | |
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grahaṇa
|
grasping | |
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grāhyeṣu
|
object to be grasped | |
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tat
|
on that | |
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stha
|
resting | |
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tad
|
by that | |
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añjanatā
|
taking on its colour | |
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samāpattiḥ
|
Samāpatti |
When its cognitive movements have subsided, citta resembles a clear crystal: it is colored by its respective support and appears in that support's form. The Bhāṣya develops this for the apprehended (grāhya)—subtle elements, gross things, and the differentiated universe—for apprehension (grahaṇa) as the senses, and for the apprehender (grahītṛ) as Puruṣa, including a liberated Puruṣa. This assumption of the form of that in which citta rests is called samāpatti.
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