The Bhāṣya attributed to Śaṅkara depicts the Jīva beneath the weight of Avidyā, desire, and karma like a burdened fruit sinking in water. Worship of the Lord, discrimination, and inner discipline purify it. When it recognises the beginningless and endless Creator who encompasses all as the Self, every fetter falls away.
For the repeated verse on liberation, Śaṅkarānanda refers to his explanation of 4.14. He also interprets kalila as the foam-like embryonic phase after the fifth offering of the Pañcāgni teaching, in which the Jīva remains with residual karma. The grammatical relation is meant to preserve its distinction from the highest Lord.
Nārāyaṇa glosses kalila as Māyā: whoever knows the beginningless and endless God present within it is released from every bond. The edition mistakenly closes the gloss with ||63||; its position between 5.12 and 5.14 and the cited lemma identify it unambiguously as 5.13.
Vijñānabhagavat presents the beginningless and endless Lord as witness in the midst of Saṃsāra. He appears in many bodies like fire in pieces of iron of different shapes and encompasses the world within and without. Direct knowledge of the Self renders powerless every fetter arising from Avidyā, desire, and karma.
<1: Vgl. 4,14 und Anmerkung.>
<5: This third line = 3. 7 c; 4. 14 c; 4. 16 c.>
<6: The fourth line of this stanza = 1. 8 d; 2. 15 d; 4. 16 d; 6. 13 d.>
[Redaktionell erschlossene Lesefassung nach IV. 14 mit der von SVS1916 verlangten Ersetzung:]
One attains the highest peace, having known that Blissful Being, who, being One, pervades the Universe, who (assumes) many forms, who is the Creator of the world; (who is present) in the midst of this dense, confused mass (of worldly phenomena), and who is without beginning and without end.
<1: Quellenanmerkung: Die gedruckte Überschrift lautet wörtlich „MANTRA V. 18.“; der zugehörige Sanskrittext schließt jedoch mit „॥१३॥“ und steht zwischen V. 12 und V. 14, weshalb der Abschnitt redaktionell SVU 5.13 zugeordnet wird. Der unmittelbar darunter gedruckte Verweis „VI. 14“ ist sachlich unmöglich, da SVU 6.14 den Lichtvers übersetzt. Wegen der vollständigen Textparallele und der ausdrücklich verlangten Ersetzung von “minuter than the minute” ist eindeutig die Übersetzung zu IV. 14 gemeint; die vorstehende Lesefassung löst den Verweis entsprechend auf, ohne die beiden gedruckten Formen still zu emendieren.>
<1: Vgl. 4,14 und Anmerkung.>
<3: Cf. III, 7; IV, 14, 16.>
<1: Vide 4, 14.>
The Bhāṣya attributed to Śaṅkara has the bodiless Śiva apprehended through a purified Buddhi. He is free from Avidyā and its effects and brings forth the sixteen Kalās from vital breath to name. Whoever knows him in the form ‘I am he’ lays aside the body for good.
Śaṅkarānanda strikingly reads anilākhya, the one called vital breath, and explains him as the ‘breath of breath’. Inner insight awakened by the word destroys Avidyā and its effects. The creator of the sixteen Kalās is recognised; the body, together with ignorance, is abandoned without being assumed again.
Nārāyaṇa explains bhāvagrāhya as accessible through Bhakti and anīḍa as one who has no nest, body, or external support. The auspicious God creates and dissolves the world and forms the sixteen-part subtle body. Knowledge of him ends embodiment.
Vijñānabhagavat calls the Lord apprehensible through a purified inner organ, while he himself is bodiless and placeless. His Kalā can mean Māyā as creative power, the sixteen parts, or the Vedas and sciences. Whoever directly knows him as one's own Self sees the body as a phenomenon of nature and leaves it behind.
<2: Vgl. hierüber die Einleitung zu Praśna 6.>
<2: Vgl. hierüber die Einleitung zu Praśna 6.>
<4: Niḍa is explained as the body, but Śaṅkarānanda reads anilākhyam, who is called the wind, as being prāṇasya prāṇam, the breath of the breath.>
<1: Śaṅkara explains kalāsargakaram by he who creates the sixteen kalās, mentioned by the Atharvaṇikas, beginning with prāṇa, and ending with nāman; see Praśna Up. VI, 4. Vijñānātman suggests two other explanations, ‘he who creates by means of the kalā, i.e. his inherent power;’ or ‘he who creates the Vedas and other sciences.’ The sixteen kalās are, according to Śaṅkarānanda, prāṇa, śraddhā, kha, vāyu, jyotis, ap, pṛthivī, indriya, manaḥ, anna, vīrya, tapaḥ, mantra, karman, kalā (?), nāman. See also before, I, 4.>
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