eko hi rudro, na dvitīyāya tasthe; ya imāṃl lokān, īśata īśanībhiḥ | Analysis ▾ Analysis ▴
pratyaṅ janās, tiṣṭhati saṃcukocānta-kāle; saṃsṛjya viśvā, bhuvanāni gopāḥ ||2|| Analysis ▾ Analysis ▴
The Bhāṣya attributed to Śaṅkara stresses Rudra's non-duality. He does not create like a potter from alien material, but projects through his own power, enters every being as its innermost Self and draws the worlds together again at the end.
Śaṅkarānanda derives Rudra as the one who dissolves suffering and Avidyā. Because no second exists beside him, he brings forth the fourteen worlds, protects them and takes them back into himself at dissolution.
Nārāyaṇa reads Rudra's creation and withdrawal as the expansion and contraction of a world superimposed upon Rudra himself. The Lord remains inwardly turned within every person and, like a herdsman, acts as creator, preserver and dissolver of all beings.
Vijñānabhagavat explains Rudra both as the cosmic dissolver and as the one who removes the suffering of Saṃsāra. Cause and effect cannot truly duplicate his non-duality; creation, preservation and dissolution rest entirely on his presence, which lends being, consciousness and joy.
tasthe LV1958 ] tasthur ASS1927; tasthuḥ LV1958-app
<1: Die Brahmanwisser halten zu ihm allein.>
<1: Die Brahmanwisser halten zu ihm allein.>
<1: Here again the MSS. A. B. read ganās, as a vocative.>
<2: I prefer samkukoka to samkukopa, which gives us the meaning that Rudra, after having created all things, draws together, i.e. takes them all back into himself, at the end of time. I have translated samsrigya by having created, because Boehtlingk and Roth give other instances of samsrig with that sense. Otherwise, “having mixed them together again,” would seem more appropriate. A. and B. read samkukoka.>
<1: Rudra represents here the supreme spirit.>
viśvataś-cakṣur, uta viśvato-mukho; viśvato-bāhur, uta viśvatas-pāt | Analysis ▾ Analysis ▴
saṃ bāhubhyāṃ, dhamati saṃ patatrair; dyāvā-bhūmī, janayan deva ekaḥ ||3|| Analysis ▾ Analysis ▴
The Bhāṣya attributed to Śaṅkara understands the possession of limbs everywhere through the organs of all beings: their eyes and limbs are his. The one God joins living beings to their faculties and, as Virāj, brings forth heaven and earth.
Śaṅkarānanda grounds the cosmic organs in the identity of the Lord and all beings. The two arms can signify merit and demerit; heaven and earth represent the cosmic totality. At the same time, he rejects an atomistic explanation of creation.
Nārāyaṇa interprets the two arms as the powers of knowledge and action, and the wings as Vāsanās. Good, mixed and bad Karma produce heavens, earthly realms and hells; yet, like a helmsman, the One moves the entire order through his own freedom.
Vijñānabhagavat regards all bodies and organs as instruments created and inhabited by the Lord. Arms and wings stand for the various limbs and faculties of beings. Heaven, earth and everything within them are thus understood as his one creation.
<1: = Ṛgv. 10,81,3; die Erklärung siehe Gesch. d. Phil. I, 136.>
<1: Compare RV. 10. 72. 2, where Brahmaṇaspati “forged together” (sam-adhamat) all things here.>
<2: With variants this stanza = RV. 10. 81. 3; VS. 17. 19; AV. 13. 2. 26; TS. 4. 6. 2. 4; TA. 10. 1. 3; MS. 2. 10. 2.>
<1: = Ṛgv. 10,81,3; die Erklärung siehe Gesch. d. Phil. I, 136.>
<1: This is a very popular verse, and occurs Rig-veda X, 81, 3; Vāg. Saṃh. XVII, 19; Ath.-veda XIII, 2, 26; Taitt. Saṃh. IV, 6, 2, 4; Taitt. Ār. X, 1, 3.>
<2: Saṅkara takes dhamati in the sense of samyogayati, i.e. he joins men with arms, birds with wings.>
<1: The supreme soul or Virāt is the creator of the world. This verse is taken from the Yāj. S. 1349.>
hiraṇya-garbhaṃ, janayāmāsa pūrvaṃ; sa no buddhyā, śubhayā saṃyunaktu ||4|| Analysis ▾ Analysis ▴
The Bhāṣya attributed to Śaṅkara calls Rudra the source and preserver even of the gods. Hiraṇyagarbha is the first inner germ he brought forth, filled with radiant knowledge. The requested auspicious understanding is meant to lead human beings to the highest goal.
Śaṅkarānanda defines Hiraṇyagarbha as the first, exceedingly subtle effect: the consciousness-supported totality of the powers of knowledge and action. The auspicious Buddhi for which the verse prays is expressly directed towards Brahman and liberation.
Nārāyaṇa describes Hiraṇyagarbha as the first divine product, whose body forms the Brahmāṇḍa. Rudra stands above him as the all-knowing seer. As a father guides his child, may he unite the worshippers with good understanding.
Vijñānabhagavat distinguishes the individual deities as lords of the organs and Hiraṇyagarbha as the cosmic inner organ. Both arise from the highest Lord and return to him. The requested Buddhi is to apprehend identity with limitless Brahman.
<1: Derselbe Vers etwas anders 4,12 und wieder anders Mahānār. 10,19.>
<1: With variants this stanza = 4. 12 and Mahānār. 10. 19.>
<1: Derselbe Vers etwas anders 4,12 und wieder anders Mahānār. 10,19.>
<1: See IV, 12.>
<1: Returns 4, 12.>
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