recya cāpūrya yaḥ kāryaḥ; sa vai sahita-kumbhakaḥ | Analysis ▾ Analysis ▴
Sahita is practised until Prāṇa has opened Suṣumṇā and particular inner sounds become audible there; Brahmānanda takes this as the sign that Kevala Kumbhaka has arisen. Ten or twenty Sahita rounds are then retained each day, while the main count up to 80 increasingly consists of Kevala Kumbhakas.
yāvat kevalasiddhiḥ syāt tāvat sahitam abhyaset MBHDL2026 ] transp. NS1882 ante HP 2.74a
For Brahmānanda, Kevala Kumbhaka is not an especially long, deliberate retention after inhalation or exhalation. It arises when Recaka and Pūraka fall away entirely and the breath becomes still without effort. This fundamentally distinguishes it from the two preparatory Sahita forms.
For Brahmānanda, Haṭha and Rājayoga are mutually related as means and support for the goal. By Rājayoga practice, he means not only an abstract final state, but also the procedures described in the fourth chapter, such as Unmanī and Śāmbhavī, as well as various Vedāntic systems of Samādhi. The two paths are therefore continued together until the consummation of Rājayoga.
Brahmānanda places making the mind “unsupported” after concentration upon an object. First, in Samprajñāta Samādhi, there is a mental form of Brahman; through the highest detachment, even this is subsequently brought to extinction. Rājayoga here therefore means transcending even the subtlest object of meditation.
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