Rest the gaze at the tip of the nose, work the tongue at the front of the palate or roots of the teeth, place the chin on the chest, and slowly gather the breath.
According to Brahmānanda, the tongue rests against the roots of the two lateral front teeth; this tongue lock must be learned directly from the guru. He also recognizes Mūlabandha in the slow raising of the breath, likewise as a technique to be transmitted orally. Exponents of a secret Haṭha tradition, however, regarded the tongue lock alone as the decisive action in this passage.
Gaze on the tip of the nose, keeping the tongue pressed against the root of the teeth of the upper jaw, and the chin against the chest, and raise the air up slowly, i.e., pull the apâna-vâyû gently upwards.
kṛtvā saṃpuṭitau karau dṛḍhataraṃ, baddhvā tu padmāsanaṃ; gāḍhaṃ vakṣasi saṃnidhāya cibukaṃ, dhyānaṃ ca tac cetasi | Analysis ▾ Analysis ▴
|
kṛtvā
|
having made | |
|
saṃpuṭitau
|
cupped together | |
|
karau
|
both hands | |
|
dṛḍhataram
|
very firmly | |
|
baddhvā
|
having bound, adopted | |
|
tu
|
now, but | |
|
padma
|
lotus | |
|
āsanam
|
posture | |
|
gāḍham
|
firmly, tightly | |
|
vakṣasi
|
on the chest | |
|
saṃnidhāya
|
having placed, applied | |
|
cibukam
|
chin | |
|
dhyānam
|
meditation | |
|
ca
|
and | |
|
tat
|
this | |
|
cetasi
|
in the mind |
vāraṃ vāram apānam ūrdhvam anilaṃ, proccālayan pūritaṃ; muñcan prāṇam upaiti bodham atulaṃ, śakti-prabhāvān naraḥ ||48|| Analysis ▾ Analysis ▴
|
vāram
|
time | |
|
vāram
|
time after time | |
|
apānam
|
apāna | |
|
ūrdhvam
|
upward | |
|
anilam
|
breath, wind | |
|
proccālayan
|
driving, moving | |
|
pūritam
|
filled, inhaled | |
|
muñcan
|
releasing, letting go | |
|
prāṇam
|
prāṇa | |
|
upaiti
|
he reaches | |
|
bodham
|
knowledge, awakening | |
|
atulam
|
unequalled | |
|
śakti
|
śakti, power | |
|
prabhāvāt
|
through the power | |
|
naraḥ
|
the person |
Brahmānanda develops a clear chain of effects. In Padmāsana, Jālandharabandha is applied and the chosen deity or Brahman is meditated upon. Apāna rises through Mūlabandha, while the inhaled Prāṇa is directed downward, and the two unite. This awakens Kuṇḍalinī; Prāṇa rises through Suṣumṇā to the crown, the mind becomes still, and direct realization of the self arises from this concentration.
Brahmānanda defines the retention of the inhaled wind spatially: Prāṇa is led through Suṣumṇā to the head and stabilized there. In his reading, the statement about liberation presupposes the opening and use of the middle channel.
mriyate MBHDL2026 ] mārayed MBHDL2024; dhārayed NS1882
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