For the stanzas additionally inserted in NS1882, Brahmānanda gives an exceptionally concrete historical description of the gradual severing of the frenulum of the tongue. At intervals of seven days, a layer the width of a hair is cut; the site is treated morning and evening until the restriction is said to disappear after six months. Rock salt and Harītakī are named, or Khadira and Harītakī for Haṭha practitioners who avoid salt. The commentary thereby transmits an invasive procedure that goes far beyond the brief definition of Khecarī.
The Yogî who sits for a minute turning his tongue upwards, is saved from poisons, diseases, death, old age, etc.
Mit der Zunge aufwärtsgerichtet (d. h. in der Höhlung oberhalb des Gaumens, Com.) verweile man einen halben Kshaņa (= 2 Min.) lang. Der Yogin wird auf diese Weise von Gift, Krankheit, Tod, Alter u. s. w. befreit.
bādhyate na ca kālena MBHDL2026 ] bādhyate na sa kālena NS1882
Brahmānanda explains the name Khecarī literally as “that which moves in space.” Both the mind and the tongue move in kha, the inner space between the eyebrows or the corresponding cranial cavity. The name designates the joint movement of tongue and consciousness within the same subtle space.
According to Brahmānanda, the opening sealed by Khecarī lies above the Lambikā, the palatal region. He explains the subsequent Yonimudrā as a contraction of the sexual organ and recognizes in it an initial reference to Vajrolī. The moving Bindu, here the reproductive substance, is thereby to be led upward again through Suṣumṇā.
For Brahmānanda, the Soma drunk in Khecarī is the lunar nectar that drips from the opening above the palatal region. “With the tongue directed upward” accordingly means that the tongue faces precisely this opening while the body remains motionless.
Brahmānanda reads the seemingly offensive expressions “eating cow's flesh” and “drinking the wine of immortality” as technical imagery of Khecarī:
- Go here denotes the tongue; its entry into the opening above the palate is called “eating cow's flesh.”
- In this conception, the resulting heat causes the fluid of the inner moon to flow; this fluid is called amaravāruṇī, “wine of the immortals.”
In his interpretation, the passage requires neither the consumption of meat nor of alcohol.
mūrdhnaḥ ṣoḍaśa-padma-pattra-galitaṃ, prāṇād avāptaṃ haṭhād ūrdhvāsyo rasanāṃ niyamya vivare, śaktiṃ parāṃ cintayet | Analysis ▾ Analysis ▴
|
mūrdhnaḥ
|
from the head | |
|
ṣoḍaśa
|
sixteen | |
|
padma
|
lotus | |
|
pattra
|
petal | |
|
galitam
|
dripped down | |
|
prāṇāt
|
by prāṇa, breath | |
|
avāptam
|
obtained | |
|
haṭhāt
|
forcefully | |
|
ūrdhva
|
upward | |
|
āsyaḥ
|
face, mouth | |
|
rasanām
|
tongue | |
|
niyamya
|
having fixed | |
|
vivare
|
in the opening | |
|
śaktim
|
śakti | |
|
parām
|
highest | |
|
cintayet
|
should contemplate, visualise |
utkallola-kalā-jalaṃ ca vimalaṃ, dhārāmṛtaṃ yaḥ piben nir-doṣaḥ sa mṛṇāla-komala-vapur, yogī ciraṃ jīvati ||46|| Analysis ▾ Analysis ▴
|
utkallola
|
surging, wave | |
|
kalā
|
moon digit, portion | |
|
jalam
|
water, fluid | |
|
ca
|
and | |
|
vimalam
|
pure | |
|
dhārā
|
stream | |
|
amṛtam
|
nectar, drink of immortality | |
|
yaḥ
|
whoever | |
|
pibet
|
should drink | |
|
nir
|
without, free from | |
|
doṣaḥ
|
fault, disease | |
|
saḥ
|
he | |
|
mṛṇāla
|
lotus fibre | |
|
komala
|
soft, delicate | |
|
vapuḥ
|
body | |
|
yogī
|
the yogin | |
|
ciram
|
long | |
|
jīvati
|
lives |
Brahmānanda understands the upward-facing bodily position as a reference to Viparītakaraṇī. While the tongue is held in the cranial cavity, meditation is directed toward Kuṇḍalinī. In his interpretation, the “water of the lunar phase” that is drunk drips from the sixteen-petaled lotus at the throat; bodily and mental techniques are explicitly joined here.
ṣoḍaśapadmapattragalitaṃ MBHDL2026 ] ṣoḍaśapatrapadmagalitaṃ NS1882
cintayet MBHDL2026 ] cintayan NS1882
dhārāmṛtaṃ MBHDL2026 ] dhārāmayaṃ NS1882
cumbantī yadi lambikāgram aniśaṃ, jihvā rasa-syandinī sa-kṣārā kaṭukātha dugdha-sadṛśā, madhvājya-tulyāthavā | Analysis ▾ Analysis ▴
|
cumbantī
|
touching, kissing | |
|
yadi
|
when | |
|
lambikā
|
uvula | |
|
agram
|
tip | |
|
aniśam
|
continually | |
|
jihvā
|
tongue | |
|
rasa
|
nectar, fluid | |
|
syandinī
|
flowing, dripping | |
|
sa
|
with | |
|
kṣārā
|
salty, alkaline | |
|
kaṭukā
|
pungent | |
|
atha
|
or, then | |
|
dugdha
|
milk | |
|
sadṛśā
|
similar | |
|
madhu
|
honey | |
|
ājya
|
ghee | |
|
tulyā
|
equal | |
|
athavā
|
or |
vyādhīnāṃ haraṇaṃ jarānta-karaṇaṃ, śāstrāgamodīraṇaṃ tasya syād amaratvam aṣṭa-guṇa-vat, siddhāṅganākarṣaṇam ||47|| Analysis ▾ Analysis ▴
|
vyādhīnām
|
of diseases | |
|
haraṇam
|
removal | |
|
jarā
|
age | |
|
anta
|
ending | |
|
karaṇam
|
producing | |
|
śāstra
|
śāstra, treatise | |
|
āgama
|
tradition | |
|
udīraṇam
|
utterance, recitation | |
|
tasya
|
for him | |
|
syāt
|
becomes | |
|
amaratvam
|
immortality | |
|
aṣṭa
|
eight | |
|
guṇa
|
quality, power | |
|
vat
|
endowed with | |
|
siddha
|
siddha | |
|
aṅganā
|
woman | |
|
ākarṣaṇam
|
attracting, attraction |
jihvā rasasyandinī MBHDL2026 ] jihvārasaspandinī NS1882
Brahmānanda understands the repeated word “one” as “the foremost in each category.” Oṃ is the foremost seed-syllable sound, Khecarī the foremost Mudrā, the unsupported self the highest deity, and Unmanī, the state beyond the ordinary mind, the highest state of consciousness.
pātāle yad, viśati suṣiraṃ, meru-mūle tad asmin; tattvaṃ caitat, pravadati sudhīs, tan mukhaṃ nimnagānām | Analysis ▾ Analysis ▴
|
pātāle
|
into the underworld, downward | |
|
yad
|
what | |
|
viśati
|
enters | |
|
suṣiram
|
the opening | |
|
meru
|
Meru | |
|
mūle
|
at the root | |
|
tad
|
that | |
|
asmin
|
in this | |
|
tattvam
|
truth, principle | |
|
ca
|
and | |
|
etat
|
this | |
|
pravadati
|
says, proclaims | |
|
sudhīs
|
the wise one | |
|
tat
|
this | |
|
mukham
|
mouth, source | |
|
nimnagānām
|
of rivers |
candrāt sāraḥ, sravati vapuṣas, tena mṛtyur narāṇāṃ; taṃ badhnīyāt, su-karaṇa-mṛdā, nānyathā kāya-siddhiḥ ||48*1|| Analysis ▾ Analysis ▴
|
candrāt
|
from the moon | |
|
sāraḥ
|
essence | |
|
sravati
|
flows | |
|
vapuṣas
|
of the body | |
|
tena
|
thereby | |
|
mṛtyuḥ
|
death | |
|
narāṇām
|
of people | |
|
tam
|
this | |
|
badhnīyāt
|
should bind, block | |
|
su
|
well | |
|
karaṇa
|
technique, means | |
|
mṛdā
|
with clay | |
|
na
|
not | |
|
anyathā
|
otherwise | |
|
kāya
|
of the body | |
|
siddhiḥ
|
perfection |
In the version commented upon by Brahmānanda, the opening lies within the summit of Meru, at the upper end of Suṣumṇā, and contains the water of the inner moon. A sattvic insight free from Rajas and Tamas recognizes the self there. The mouths of Iḍā, Piṅgalā, Suṣumṇā, and further channels converge at this point. An additional verse names five streams and describes the opening as the source of direct realization of the self, free from ignorance, grief, and delusion.
pātāle yad viśati suṣiraṃ merumūle tad asmin MBHDL2026 ] yat prāleyaṃ prahitasuṣiraṃ merumūrdhāntarasthaṃ tasmin NS1882
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